Anine giftet seg med Otto Hans Lütken 10 Mar 1843, Holmens Kirke. Otto (sønn av Magnus Lütken og Cecilie Wilhelmine Nissen) ble født 31 Jul 1813 , Kristiania, Norge; døde 26 Nov 1883, Bellahøj, København, Danmark; ble begravet , Brønshøj kirkegård. [Gruppeskjema] [Familiediagram]

1. Magna Cecilie Camilla Lütken ble født 29 Jan 1846 , K°benhavn, Danmark; døde 23 Sep 1923, K°benhavn, Danmark.
2. Otto George Lütken ble født 15 Aug 1849; døde 23 Mai 1906, Copenhagen, Hovedstaden, Denmark.
3. Andreas Magnus Lütken ble født 17 Jan 1852.
4. Henriette Julie Pouline Lütken ble født 25 Mai 1854.
5. Anton Frederik Lütken ble født 7 Des 1856.

Notater:

{geni:about_me} '''Johan Ludvig Heiberg''' (December 14, 1791 X August 25, 1860), Danish poet and critic, son of the political writer Peter Andreas Heiberg (1758X1841), and of the novelist, afterwards the Baroness Gyllembourg-Ehrensvärd, was born in Copenhagen.

In 1800 his father was exiled and settled in Paris, where he was employed in the French foreign office, retiring in 1817 with a pension. His political and satirical writings continued to exercise great influence over his fellow-countrymen. Johan Ludvig Heiberg was taken by K.L. Rahbek and his wife into their house, Bakkehuset (now part of the Danish Maritime Safety Administration). He was educated at the University of Copenhagen, and his first publication, entitled The Theatre for Marionettes (1814), included two romantic dramas. This was followed by Christmas Jokes and New Years Tricks (1816), The Initiation of Psyche (1817), and The Prophecy of Tycho Brahe, a satire on the eccentricities of the Romantic writers, especially on the sentimentality of Ingemann. These works attracted attention at a time when Baggesen, Oehlenschläger and Ingemann possessed the popular ear, and were understood at once to be theopening of a great career.

In 1817 Heiberg took his degree, and in 1819 went abroad with a grant from government. He proceeded to Paris, and spent the next three years there with his father. In 1822 he published his drama Nina and was made professor of theDanish language at the University of Kiel, where he delivered a course of lectures, comparing the Scandinavian mythology as found in the Edda with the poems of Oehlenschläger. These lectures were published in German in 1827.

In 1825 Heiberg came back to Copenhagen for the purpose of introducing the vaudeville on the Danish stage. He composed a great number of these vaudevilles, of which the best known are King Solomon and George the Hatmaker (1825); April Fools (1826); A Story in Rosenborg Garden (1827); Kjøge Huskors (1831); The Danes in Paris (1833); No (1836); and Yes (1839). He took his models from the French theatre, but showed extraordinary skill in blending the words and the music; but the subjects and the humour were essentially Danish and even topical.

Meanwhile he was producing dramatic work of a more serious kind; in 1828 he brought out the national drama of Elves' Hill (Danish: Elverhøi); in 1830 The Inseparables; in 1835 the fairy comedy of The Elves, a dramatic version of Tieck's Elfin; and in 1838 Fata Morgana. In 1841 Heiberg published a volume of New Poems containing A Soul after Death, a comedy which is perhaps his masterpiece, The Newly Wedded Pair, and other pieces.

He edited from 1827 to 1830 the famous weekly, the Flyvende Post (The Flying Post), and subsequently the Interimsblade (1834X1837) and the Intelligensblade (1842X1843). In his journalism he carried on his warfare against the excessive pretensions of the Romanticists, and produced much valuable and penetrating criticism of art and literature. In 1831 he married the great actress Johanne Luise Pätges (1812X1890), herself the author of some popular vaudevilles.
Heiberg's scathing satires, however, made him very unpopular; and this antagonism reached its height when, in 1845, he published his malicious little drama of The Nut Crackers. Nevertheless he became in 1849 director of the RoyalTheatre in Copenhagen. He filled the post for seven years, working with great zeal and conscientiousness, but was forced by intrigues from without to resign it in 1856. Heiberg died at Bonderup Manor, near Ringsted, on 25 August 1860.

His influence upon taste and critical opinion was greater than that of any writer of his time, and can only be compared with that of Holberg in the 18th century. Most of the poets of the Romantic movement in Denmark were very grave and serious; Heiberg added the element of humour, elegance and irony. He had the genius of good taste, and his witty and delicate productions stand almost unique in the literature of his country. First of all he created a Danish critical tradition based upon firm and consequent principles of aesthetics breaking with the often extremely subjective and occasional value judgements of his predecessors. In return he has not avoided being regarded a conservative formalist and elitist by posterity and the reaction against his line was already started by Georg Brandes who was, however, affected by his school too. At any rate most of later Danish critics had to make up their mind about his ideas.

The poetical works of Heiberg were collected, in 11 vols, in 1861X1862, and his prose writings (11 vols) in the same year. The last volume of his prose works contains some fragments of autobiography. See also Georg Brandes, Essays (1889). For the elder Heiberg see monographs by Thaarup (1883) and by Schwanenflügel (1891).

===Sources===

* English Wikipedia: [http://goo.gl/a1Yj9 Johan Ludvig Heiberg]

* English Wikipedia: [http://en.wikipedia.org/wiki/Hegelianism Hegelianism]

Johan giftet seg med Camilla Cecile Victoire Du Puy. Camilla (datter av Jean Baptiste Édouard Louis Camille du Puy og Julie Henriette Pauline Montroze) ble født 26 Mar 1790; døde 13 Jan 1871. [Gruppeskjema] [Familiediagram]

Peder giftet seg med Thomasine Buntzen dåbsnavn Thomasine Christine Buntzen, dåbsnavn Thomasine Christine Buntzen 7 Mai 1790, På Skydebanen. Thomasine (datter av Johan Buntzen og Anna Bolette Sangaard) ble født 4 Nov 1773; døde 1 Jul 1856. [Gruppeskjema] [Familiediagram]

Notater:

{geni:occupation} Komponist, Sanger, Soloist, Operaleder, Orkeserleder, Kunglig kapellmästare

{geni:about_me} I [http://runeberg.org/sbh/a0254.html Svenskt Biografiskt Handlexikon] finns en av många biografier om denne utmärkte violinist och operasångare. Han kom till Sverige för tjänsten som kunglig kapellmästare och varledamot av Kungliga Musikaliska Akademien (nr 163). Han var också verksam som kunglig kapellmästare i Köpenhamn.

På Johannes kyrkogård har Musikaliska akademien rest ett minnesmärke över honom.


I det danska ''Salomeonsens Konversationslexikon'' (andra utgav 1915-1930). anges att ryktet förtäljer att "Selv skal han senere have ladet falde Ytringer om, at han skulde være en Søn af Frederik IIXs Broder, Prins Heinrich af Preussen, lige kendt som Hærfører og som Musikven."
och
"Hans kvindedaarende Egenskaber havde bl. a. kaaret sig et Offer i en saa højtstaaende Dame som
Prinsesse Charlotte Frederikke (Prins Christian FrederikXs Gemalinde). Følgen var, at
Prinsessen blev skilt og forvist til Horsens, medens D. 1809 maatte rømme Landet."

I ''Danskt biografiskt Lexikon'' (1887-1905) står:
Hans betagende Personlighed var farlig for Kvindehjærter.
Allerede fra sit Ungdomsliv i Tyskland havde han med en
Skuespillerinde Henriette Montroze i Rheinsberg en Datter, senere gift
med A. Buntzen (III, 254). I Kjøbenhavn ægtede han 31. Maj
1803 Anna Louise Frederikke Müller, Datter af Kobberstikker C.
F. M. (XI, 575), men vedblev desuagtet at staa i forskjellige løse
Forbindelser, hvorfor Ægtefællerne, skjønt der fødtes flere Børn,
efterhaanden fjærnedes fra hinanden. Da han endelig indlod sig i
en dumdristig Forbindelse med Prinsesse Charlotte Frederikke (III,
443), tvang Frederik VI ham til at forlade Landet 7. Nov. 1809.

Han är även i Sverige omskriven för sina trassliga kärleksaffärer, vilka omnämns i "Svenskt biografiskt handlexikon" (1906) utan närmare namns nämnande, och där sägs han vara "Gift 1804 i Köpenhamn med »en jomfru Müller».

I Nordisk Familjebok (1881) hade tryckts:
"År 1809 förvisades han dock äfven från Danmark, antagligen i anledning af något intimt förhållande till ett mycket förnämt fruntimmer (enligt ett gängse rykte prinsessan Charlotta Fredrika af Mecklenburg-Schwerin, Fredrik VII:s moder, hvilken sedan blef skild från sin gemål, prins Kristian Fredrik, sedermera Kristian VIII)."

Om prinsessan skrevs "Charlotta Fredrika, dansk prinsessa, f. 1784, d. 1840,
dotter till storhertig Fredrik Franz af
Mecklenburg-Schwerin, gifte sig 1806 med danske prinsen
Kristian Fredrik (Kristian VIII) och blef 1808
moder till Fredrik VII. Efter ett kärleksäventyr med
sångaren Édouard Du Puy blef hon 1810 skild från sin
gemål och son. Följande 20 år bodde hon på slottet
i Horsens, där hon fortsatte sitt osedliga lif med
garnisonens officerare. 1829 reste hon till Italien,
där hon bosatte sig i Rom och öfvergick till katolska
kyrkan. Hennes lif är romantiskt behandladt af
Svend Leopold i "Prinsesse Charlotte" (1898).
E. Ebg. "

Vidare att läsa om Du Puy: ''Minnesteckning'' av Carl Palmstedt : http://books.google.se/books?id=uRIvAAAAYAAJ&printsec=frontcover&hl=sv#v=onepage&q&f=false

Gravlagt:
{geni:event_description} Begravningsakten i Jakobs kyrka; gravsatt på Johannes kyrkogård

Jean giftet seg med Julie Henriette Pauline Montroze. Julie døde cirka 1833, Sweden. [Gruppeskjema] [Familiediagram]

Ludvig giftet seg med Inger Margrethe Heiberg. Inger (datter av Peder Heiberg og Edele Cathrine Hørning) ble født 23 Jul 1737 , Vemmetofte; døde 9 Mar 1826. [Gruppeskjema] [Familiediagram]

Notater:

{geni:occupation} Dispacør

Johan giftet seg med Anna Bolette Sangaard. Anna ble født 4 Mai 1751; døde 28 Mar 1782. [Gruppeskjema] [Familiediagram]