Notater:

{geni:about_me} Den rigtige far er: P W Schousboe, død 1873 og den rigtige mor er
Sara Haverkam.

Hun og de 2 søstre, Leila Adele (f.1855) og Sarah Henriette (f.1853),
var født i et "illegitimt" forhold på St. Croix (Dansk Vestindia).

De mistede deres mor i 1748 og de blev i 1861 taget hånd om af den
kendte forfatterinde Johanne Luise Heiberg (1812-1890) som netop havde mistet
sin mand Johan Ludvig Heiberg. Året efter blev de 3 søstre adopteret af hende.

Anna giftet seg med Regnar Asker Westenholz, til Mattrup 1883-1920 cirka 1890. Regnar (sønn av Regnar Westenholz, til Mattrup Hovedgård ved Horsens fra og Mary Lucinde Hansen) ble født 5 Feb 1855 , Mattrup Gods, Tyrstinge Sogn, Jylland, Danmark; døde 8 Jan 1925, Mattrup Herregaard, Mattrup, Klovborg; ble begravet , Gravlunden på Mattrup. [Gruppeskjema] [Familiediagram]

1. Thorvald Kiær

Notater:

{geni:about_me} '''Johan Ludvig Heiberg''' (December 14, 1791 X August 25, 1860), Danish poet and critic, son of the political writer Peter Andreas Heiberg (1758X1841), and of the novelist, afterwards the Baroness Gyllembourg-Ehrensvärd, was born in Copenhagen.

In 1800 his father was exiled and settled in Paris, where he was employed in the French foreign office, retiring in 1817 with a pension. His political and satirical writings continued to exercise great influence over his fellow-countrymen. Johan Ludvig Heiberg was taken by K.L. Rahbek and his wife into their house, Bakkehuset (now part of the Danish Maritime Safety Administration). He was educated at the University of Copenhagen, and his first publication, entitled The Theatre for Marionettes (1814), included two romantic dramas. This was followed by Christmas Jokes and New Years Tricks (1816), The Initiation of Psyche (1817), and The Prophecy of Tycho Brahe, a satire on the eccentricities of the Romantic writers, especially on the sentimentality of Ingemann. These works attracted attention at a time when Baggesen, Oehlenschläger and Ingemann possessed the popular ear, and were understood at once to be theopening of a great career.

In 1817 Heiberg took his degree, and in 1819 went abroad with a grant from government. He proceeded to Paris, and spent the next three years there with his father. In 1822 he published his drama Nina and was made professor of theDanish language at the University of Kiel, where he delivered a course of lectures, comparing the Scandinavian mythology as found in the Edda with the poems of Oehlenschläger. These lectures were published in German in 1827.

In 1825 Heiberg came back to Copenhagen for the purpose of introducing the vaudeville on the Danish stage. He composed a great number of these vaudevilles, of which the best known are King Solomon and George the Hatmaker (1825); April Fools (1826); A Story in Rosenborg Garden (1827); Kjøge Huskors (1831); The Danes in Paris (1833); No (1836); and Yes (1839). He took his models from the French theatre, but showed extraordinary skill in blending the words and the music; but the subjects and the humour were essentially Danish and even topical.

Meanwhile he was producing dramatic work of a more serious kind; in 1828 he brought out the national drama of Elves' Hill (Danish: Elverhøi); in 1830 The Inseparables; in 1835 the fairy comedy of The Elves, a dramatic version of Tieck's Elfin; and in 1838 Fata Morgana. In 1841 Heiberg published a volume of New Poems containing A Soul after Death, a comedy which is perhaps his masterpiece, The Newly Wedded Pair, and other pieces.

He edited from 1827 to 1830 the famous weekly, the Flyvende Post (The Flying Post), and subsequently the Interimsblade (1834X1837) and the Intelligensblade (1842X1843). In his journalism he carried on his warfare against the excessive pretensions of the Romanticists, and produced much valuable and penetrating criticism of art and literature. In 1831 he married the great actress Johanne Luise Pätges (1812X1890), herself the author of some popular vaudevilles.
Heiberg's scathing satires, however, made him very unpopular; and this antagonism reached its height when, in 1845, he published his malicious little drama of The Nut Crackers. Nevertheless he became in 1849 director of the RoyalTheatre in Copenhagen. He filled the post for seven years, working with great zeal and conscientiousness, but was forced by intrigues from without to resign it in 1856. Heiberg died at Bonderup Manor, near Ringsted, on 25 August 1860.

His influence upon taste and critical opinion was greater than that of any writer of his time, and can only be compared with that of Holberg in the 18th century. Most of the poets of the Romantic movement in Denmark were very grave and serious; Heiberg added the element of humour, elegance and irony. He had the genius of good taste, and his witty and delicate productions stand almost unique in the literature of his country. First of all he created a Danish critical tradition based upon firm and consequent principles of aesthetics breaking with the often extremely subjective and occasional value judgements of his predecessors. In return he has not avoided being regarded a conservative formalist and elitist by posterity and the reaction against his line was already started by Georg Brandes who was, however, affected by his school too. At any rate most of later Danish critics had to make up their mind about his ideas.

The poetical works of Heiberg were collected, in 11 vols, in 1861X1862, and his prose writings (11 vols) in the same year. The last volume of his prose works contains some fragments of autobiography. See also Georg Brandes, Essays (1889). For the elder Heiberg see monographs by Thaarup (1883) and by Schwanenflügel (1891).

===Sources===

* English Wikipedia: [http://goo.gl/a1Yj9 Johan Ludvig Heiberg]

* English Wikipedia: [http://en.wikipedia.org/wiki/Hegelianism Hegelianism]

Johan giftet seg med Johanne Louise Pätges 31 Jul 1831. Johanne (datter av Christian Heinrich Pætges og Henriette Hirschborn Hartwig) ble født 22 Jan 1812 , København, Sjælland, Danmark; døde 21 Des 1890, København, Sjælland, Danmark. [Gruppeskjema] [Familiediagram]

Notater:

{geni:about_me} Johanne Luise Heiberg (née Pätges) (22 November 1812 X 21 December 1890) was one of the greatest Danish actresses of the 19th century. She is most famous for her work at the Royal Theatre in Copenhagen, where she achieved great success.

Like Hans Christian Andersen she originally belonged to a poor milieu. She was the daughter of a stallholder and innkeeper and of his Jewish wife, very early she showed artistic gifts and entered the ballet school 1820. By the help of patrons she was promoted to the rank of an actress and made a successful debut 1827. From then she for more than thirty years appeared the absolutely leading actress of Danish theatre.

In 1831 she married the famous and much older critic and dramatist Johan Ludvig Heiberg, a marriage that raised her position even further and just made her known as XMrs. HeibergX. XThe HeibergsX became a Copenhagen concept and their home was a cultural centre. In return the dual position of the Heibergs as the leading lady of the theatre married to its main playwright also aroused much jealousy and accusations of favouring. Her great popularity within the public did not prevent her of getting opponents and her sometimes aggressive and arrogant one-sidedness (revealed in her autobiography) must be blamed for some of this. Her husbandXs time as the director of the Royal Theatre 1849-56 ended in an open conflict with her colleagues and for a short period she even left the theatre. The death of her husband 1860 and her age caused her retirement as an actress 1864 X still at her height X though she worked as astage director until 1874.

Mrs. Heiberg played about 275 roles. Her exotic beauty combined with culture and elegance secured her position though she was not the only talented Danish actress of her age. Among her roles must be mentioned some Shakespeare characters (Viola in Twelfth Night) and especially in French comedies and dramas. In Danish dramas she shined in HolbergXs and Oehlenschlägers plays and especially in her husbandXs dramas, her performance in Elves' Hill (Danish: Elverhøi) was a classic. Her strength was intelligence, controlled passion and wit but she did not show the same talent for the tragedy. To a whole generation of Danish dramatists she was the muse and especially she inspired Henrik Hertz to write many of his main female roles for her. She also wrote some few (not especially important) vaudeville acts herself; the most popular is En Søndag paa Amager (XA Sunday at AmagerX, 1845).


Soren Kierkegaard wrote a tribute to her in 1847, The Crisis and a Crisis in the Life of an Actress. Her autobiography, Et Liv gjenoplevet i Erindringen ("A Life Relived in Memory", ed. 1891-92) is a major literary work from the Danish Golden Age. It has often been criticised for its subjective descriptions but is still regarded a pioneering work because of its interest of the process of acting.
Though she was closely connected to the romantic tradition Mrs. Heiberg is still regarded a key figure of Danish drama, like for instance Sarah Siddons in England. Beyond any doubt she contributed to the rise of the public socialand moral opinion of Danish actors as play-actors to artists and cultural personalities.
Her image is currently featured on the front of the Danish 200-krone banknote.[1][2]
The drama Rain Snakes (Från regnormarnas liv, 1981) by the Swedish author Per-Olov Enquist fictitiously deals with the relationship between Mrs. Heiberg and Hans Christian Andersen.

Peder giftet seg med Thomasine Buntzen dåbsnavn Thomasine Christine Buntzen, dåbsnavn Thomasine Christine Buntzen 7 Mai 1790, På Skydebanen. Thomasine (datter av Johan Buntzen og Anna Bolette Sangaard) ble født 4 Nov 1773; døde 1 Jul 1856. [Gruppeskjema] [Familiediagram]

Notater:

{geni:occupation} Bødker / vinkyper

{geni:about_me} Johanne Luises far hed Christian Heinrich Pätges og var født 1777 i landsbyen Honnef i hertugdømmet Berg ved Rhinen. Han lærte bødker- og vinkyperprofessionen i den tyske by Linz am Rhein ved Rhinen og udvandrede for at undgå militærtjenesten til Danmark

Christian giftet seg med Henriette Hirschborn Hartwig. Henriette (datter av nn Hirsborn) ble født cirka 1780 , Fridenberg / Frankfurt; døde cirka 1861. [Gruppeskjema] [Familiediagram]

Notater:

{geni:about_me} Henriette Hartwig eller Hirschborn, hvis jødiske forfædre var kommet fra Holland til byen Friedberg ved Frankfurt, hvor Henriette blev født. Herfra flygtede hun i en meget ung alder efter sigende med en fransk officer, kom til Hamborg, hvor hun kom i tjeneste hos et jødisk herskab, og fulgte det til København

Ludvig giftet seg med Inger Margrethe Heiberg. Inger (datter av Peder Heiberg og Edele Cathrine Hørning) ble født 23 Jul 1737 , Vemmetofte; døde 9 Mar 1826. [Gruppeskjema] [Familiediagram]

Notater:

{geni:occupation} Dispacør

Johan giftet seg med Anna Bolette Sangaard. Anna ble født 4 Mai 1751; døde 28 Mar 1782. [Gruppeskjema] [Familiediagram]

Notater:

{geni:about_me} Henriette Hartwig eller Hirschborn, hvis jødiske forfædre var kommet fra Holland til byen Friedberg ved Frankfurt, hvor Henriette blev født. Herfra flygtede hun i en meget ung alder efter sigende med en fransk officer, kom til Hamborg, hvor hun kom i tjeneste hos et jødisk herskab, og fulgte det til København